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Sopran Ukulele bag(pineapple tryk) OSS GBU4203PA

Sopran Ukulele bag(pineapple tryk) OSS GBU4203PA

On-Stage Ukulele Gig Bags offer a unique and uniquely affordable combination of functionality, fashion and convenience. Constructed with heavy duty, water-repellant, easily-cleaned nylon and thick, double-stitched, woven padding, they ensure unparalleled gear protection. Together with backpack style straps and an exterior, easily-accessed accessory pocket, they also provide the ultimate in smooth, effortless transportation and set-up. Available in two sizes, Soprano (24" x 10.5") and Concert (27.5" x 11"), as well as basic black or island-themed graphics, these bags help make performing a smooth, secure and personalized breeze.   Holds most soprano ukuleles (24" x 10.5") Constructed with heavy duty, water-repellant, easily-cleaned nylon and thick, double-stitched, woven padding Backpack style straps Exterior accessory pocket easily stores tuner, picks, capo, strap, and more    

SEK 164.00
1

Horn Concerto in E-flat major No. 3 : KV 447

Horn Concerto in E-flat major No. 3 : KV 447

The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as forrehearsal purposes for renditions with orchestra.Franz Giegling’s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every knownsource.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F, a detailed historical preface commenting on the sources and a special brochure containingcadenzasand “ Eingänge ”. The cadenza and “ Eingänge ” brochure offers for the first time in print the important cadenzas by Dennis Brain, Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in aslightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.

SEK 271.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 115.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 115.00
1

Concert D Op.77

Concert D Op.77

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 287.00
1

Concert D Op.77

Concert D Op.77

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 250.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 115.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 115.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 281.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 812.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 115.00
1

Violin Concerto No.5 In A K.219 : for Violin and Orchestra

Violin Concerto No.5 In A K.219 : for Violin and Orchestra

Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos forViolin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, waseither obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniquesacquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart EditionFull score and performance material (BA4712), Violin and Pianoreduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko,Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included.

SEK 266.00
1

Violin Concerto No.4 in D major K.218

Violin Concerto No.4 in D major K.218

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 103.00
1

Violin Concerto No.4 in D major K.218 : for Violin and Orchestra

Violin Concerto No.4 in D major K.218 : for Violin and Orchestra

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 181.00
1

Violin Concerto No.4 in D major K.218 : Piano Reduction

Violin Concerto No.4 in D major K.218 : Piano Reduction

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 245.00
1

Violin Concerto No.4 in D major K.218

Violin Concerto No.4 in D major K.218

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 103.00
1